Les 30 et 31 août 2018 c’est tenu le très intéressant workshop organisé par le Centre for Languages and Literature de l’Université de Lund, Chronotopia : Urban Space and Time in Post-2000 Sinophone Film and Fiction, à Lund, en Suède.
Le programme était le suivant :
—Jeudi 30 août 2018—
Dialogue
- Narrating Social Inequalities Through the Tropes of Time and Space in Hao Jingfang-s Science Fiction — Frederike Schneider-Vielsäcker (Free University of Berlin)
- Commodification, Everyday Life and the Spectral Urbanscape in post-2000 Chinese Literatre — Winnie L.M. Yee (University of Hong Kong)
- Dialogic Chronotopes of the Global City in Contemporary Chinese New Urban and Migrant Films — Jie Lu (University of the Pacific)
Threshold
- Cartographies of Socialism and Post-Socialism: Factory Gate and the Treshold of the Visible World — Erin Y. Huang (Princeton University)
- The Zombie as Threshold Chronotope in Recent Hong Kong Popular Fiction — Heather Inwood (University of Cambridge)
Patchwork
- The Patchwork Chronotope: Piecing Together Urban Space — Yomi Braester (University of Washington)
—Vendredi 31 août 2018—
Past, Present, Future
- The Evolution of the Depiction of City in Chinese Science Fiction Literature from the 1950s to Date : From a Spotless Dream to an Alarming Reality — Loïc Aloisio (Université d’Aix-Marseille)
- Metaphor, Mirror, and a New Poetics of Mimesis — Song Mingwei (Wellesley College)
- Local Pastime (Past-Time) of Beijing in the Film Mr. Six — Sheldon Lu (University of California)
Movement
- Space, Time and Mobility: Xue Yiwei’s Shenzheners — Pamela Hunt (Oxford University)
- Take the Elevator to Tomorrow: Mobile Space and Lingering Time in Contemporary Urban Fiction — Astrid Møller-Olsen (Lund University)